A Room with a View features the Pensione Bertolini in Florence, where a moneyed English daughter travels and meets men outside of her class and culture. Forster’s A Room with a View laid the foundations for a new kind of novel about women: the geographical journey as the search for love. Often it’s a rotten psyche, but sometimes it’s promising and magical. They are visualizations of an unconventional psyche, un-pin-downable, and out of bounds. Writers like hotels for the same reason that we like ships and islands. Rebecca unfolds on an estate haunted by a deceased beauty Jamaica Inn is a gloomy ruin dominated by a pirate of a man. Over and over, Lo’s stepfather subjects her to a false home, a false family, and a nightmare of domestic bliss.ĭaphne du Maurier’s eponymous Jamaica Inn is a funhouse mirror to Rebecca’s gorgeous Manderley. Far more depressing than the murder in Lolita is the endless grind of motel nights afterward, in which Humbert Humbert makes his teenage victim his wife. The hollow-eyed twins in The Shining versus the heroic siblings in The Lion, the Witch, and the Wardrobe.Īs a setting, the hotel is a dream and a lie, an escape and trap. Norman Bates’s mother in Psycho versus Marmee in Little Women. The hotel novel is the shadow self to the domestic novel. Mobility, vulnerability, and strangers versus fixity, protection, and family. The hotel is the shadow self to the house.
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